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#Who sang somewhere between jesus and john wayne android
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#Who sang somewhere between jesus and john wayne pdf
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#Who sang somewhere between jesus and john wayne professional
Buy bestsellers as well as technical, professional and academic books. Free classics at your fingertips immediately. Online synchronization for bookmarks, highlights, notes and current reading position with all your Android and iOS devices. Sync your online bookshelf with all your devices. Landscape or portrait orientation is lockable. User-created collections for sorting your books. Supports the latest ebook file format (Epub3). Each piece has its own narrative, whether humorous, poignant or intellectual. The resulting hybrid image is a new and separate identity, functioning as irony and satire as metaphor and social commentary. His Pop Hybrid series is a unique, superimposition of iconic faces and imagery, instantly recognizable on their own, but dissolved into a kind of Rorschach inkblot puzzle when merged-each viewer seeing something different, making his or her own subjective associations. "Troy Gua is an artist whose work investigates identity, celebrity and popular culture. Now actual hybrids, somewhere between man and machine made, the ‘Pop Hybrid’ series is now designed digitally, printed on archival metallic photographic paper, and for the 12” editions, mounted to 2” deep cradled panels and coated in resin, or for the 24”, 36”, and 48” editions, optically face-mounted to museum grade acrylic and back-mounted to black sintra.įrom Ross Lesko, Director of the Kenneth Paul Lesko Gallery: It made conceptual sense to incorporate streamlined production which, in turn, made the work more widely available as limited editions, each design in a low numbered run. I found pride in that, but it also gave me a nudge to actually push the process in that direction. They were meant to look as precise as manufactured products, and many assumed that they were. The series began as meticulously hand-painted acrylic on canvas pieces, which were then sealed in a resin coating. By layering together thoughtfully paired individuals, these pieces challenge the viewer to decipher the image while making sardonic, metaphorical and sometimes philosophical connections. They're modern day devotional images that deal with iconography, ironic duality and satirical juxtapositions. Superficially, it's easy to label this body of work as a collection of 'pop art celebrity portraits', but they're more than that. Today, we regale celebrities, pop stars, actors and the characters they portray, artists, musicians, politicians and world leaders. In antiquity, art was made to regale the gods, heroes, and myths of the day. As opposed to Warhol’s emphasis on repetition, these works combine individuals together (sometimes with themselves) and suggests that we are running out of space in our crowded collective conscience. They are a subtraction of images: the recycling, re-using and reducing of two or more images into new iconography. ‘Pop Hybrids’ are the reduction of personality into logo, the reduction of individuality into the collective, the reduction of photography into design. 
It’s a world where, in order to save space, even our thoughts, our memories, our nostalgia becomes distilled, consolidated, hybridized, and layered on top of itself. I imagine a future where the world is out of room.
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